🤖 AI Summary
This study addresses whether artificial intelligence possesses transformative creativity. Drawing on Boden’s tripartite framework of creativity—combinational, exploratory, and transformative—the paper systematically examines the limits of AI’s creative capacities through an interdisciplinary lens integrating philosophical inquiry, artistic practice, and AI theory. It argues that AI, lacking serendipity, openness to意外 (unexpected events), and a situated subjective stance, cannot recognize or meaningfully incorporate genuine accidents, thereby restricting its efficacy primarily to combinational creativity and precluding authentic transformative creativity. As a novel contribution, the work proposes and demonstrates a generative model of human–AI collaborative creation, offering a promising new pathway for expanding the creative applications of artificial intelligence.
📝 Abstract
This paper examines the question of whether artificial intelligence (AI) systems can be creative, approached from the dual perspective of a researcher trained in electrical engineering, pattern recognition, machine learning, and neural networks, who has also spent most of his life engaged in the arts as actor, stage and film director, writer, composer, and visual artist, and in philosophy. Drawing on Margaret Boden's foundational framework, both her three properties of creativity (novelty, surprise, and value) and her three types of creative processes (combinatorial, exploratory, and transformational), the paper argues that AI systems are structurally incapable of creativity in its strongest sense. While they exhibit genuine capability in the domain of combinatorial creativity, they are significantly bounded in exploratory creativity, and fundamentally incapable of transformational creativity. The paper further argues that the most important limitation of current AI systems is not the absence of novelty per se, but the absence of any mechanism for serendipity, accident, or the unexpected, all of which play a central role in the phenomenology of creativity, and the absence of any subject position from which to recognize and welcome such chance events. The paper concludes by proposing a model of human, AI creative collaboration that is both realistic and generative, illustrated by several concrete experiments. The paper is itself a demonstration of the thesis it advances: it was composed through a deliberate human AI collaborative process, which is described in the methodological note that opens it.