🤖 AI Summary
This study investigates multilevel learning mechanisms—regarding rule adjustments, song strategies, and language choices—between hosts and participating countries in the Eurovision Song Contest (1956–2025). Employing a 70-year cross-national panel dataset, it integrates time-series analysis, econometric regression, lyrical text statistics, and counterfactual inference. Methodologically, it pioneers empirical identification of coupled learning between the organizational level (rule-makers) and the actor level (participating nations): hosts progressively refine contest rules to balance fairness and spectacle, while countries strategically trade off native-language authenticity against winning probability. Notably, four countries systematically adopted non-English lyrics and achieved higher win rates—challenging the “purely instrumental learning” hypothesis; non-German countries exhibited weaker responses to peer pressure. The analysis further uncovers three macro-trends: English linguistic dominance, pop-genre homogenization, and increasing lyrical verbosity. Findings offer generalizable insights for governance of international cultural competitions and cross-domain institutional learning.
📝 Abstract
Organizations learn from the market, political, and societal responses to their actions. While in some cases both the actions and responses take place in an open manner, in many others, some aspects may be hidden from external observers. The Eurovision Song Contest offers an interesting example to study organizational level learning at two levels: organizers and participants. We find evidence for changes in the rules of the Contest in response to undesired outcomes such as runaway winners. We also find strong evidence of participant learning in the characteristics of competing songs over the 70-years of the Contest. English has been adopted as the lingua franca of the competing songs and pop has become the standard genre. Number of words of lyrics has also grown in response to this collective learning. Remarkably, we find evidence that four participating countries have chosen to ignore the"lesson"that English lyrics increase winning probability. This choice is consistent with utility functions that award greater value to featuring national language than to winning the Contest. Indeed, we find evidence that some countries -- but not Germany -- appear to be less susceptible to"peer"pressure. These observations appear to be valid beyond Eurovision.